TWO IMPORTANT PARTS of J.R.R. Tolkien’s The Lord of the Rings were left out of Peter Jackson’s Oscar-winning film trilogy. With his features already running seriously over-length, Jackson decided to cut the Hobbits’ adventures with Tom Bombadil altogether, and to leave out what is arguably the most important chapter in whole book – “The Scouring of the Shire”.
The first omission, while regrettable, is understandable. Tom Bombadil is an extraordinary character, half holy fool, half uncanny woodland deity. (Although, later in the book, Tolkien hints at Bombadil being something much more powerful than a mere spirit of wood and water.) There is no denying, however, that the Hobbits’ journey through Bombadil’s forest domain is in every sense of the word a diversion, and Jackson rightly saw that Tolkien’s narrative could survive its excision. Even so, foregoing the opportunity of bringing Bombadil to life must have been a hard decision for Jackson to make.
Omitting “The Scouring of the Shire”, however, is much harder to forgive. What greets the Hobbits when they return to the Shire is critical to a proper understanding of Tolkien’s tale. Evil is resident everywhere. That is Tolkien’s point. It doesn’t just live in dark towers faraway, and its servants don’t necessarily make themselves easy to identify by riding black stallions and clothing themselves in black robes. It is just as likely that the downward spiral into evil begins with the greed of a local miller, or the acquisitive mania of a local landowner. Once embarked upon, however, evil calls to evil. “A little mischief in a mean way” is how it begins, but that is not how it ends.
In Tolkien’s fantasy, the battle-hardened Hobbits are not permitted to return to hearth and home as if they had never been away – as Jackson has them return in his movie. No, they have to fight for the Shire as desperately as all the other free peoples of Middle Earth fought for their own hearths and homes. Security and freedom are treasures to be won, not taken for granted.
Nor does Tolkien shy away from the fact that the struggle to secure – or to reclaim – security and freedom is everybody’s business. Heroes they may be, but Frodo and Sam, Pippin and Merry, could not have “scoured” (an old English word meaning to clean by friction) the Shire on their own, for that the whole community had to be called into action:
Awake! Awake! Fear, Fire, Foes! Awake!
Fire, Foes! Awake!
Jackson erred in omitting “The Scouring of the Shire”, not least because his version of the tale suggested that there are indeed places from which enterprising people can venture forth in search of adventure, and then return to their haven-home in all its bucolic and unchanging bliss. Did he mean to present New Zealand as such a place? Was the rest of the world intended to construe New Zealand as the Shire? And New Zealanders for the next best things to the happy-go-lucky Hobbits? Shame on Peter Jackson if they were.
If this country ever was the Shire, and those who remember Austin Mitchell’s Half-Gallon, Quarter-Acre, Pavlova Paradise might argue that it came pretty damn close, then its fate closely resembles the fate of Tolkien’s original. Here, too, we had the grasping businessmen and the greedy farmers. Here, too, ugliness was reared up where beauty had once stood, unsullied. Here, too, the collaborators scoffed at those who mourned such fruitless destruction, warning them proudly that: “We’ve work to do in the Shire now.”
Perhaps, if Jackson had reminded us of what Rogernomics and Ruthanasia had done to “The Shire”, and shown us how our besmirched birthright could be made to shine through the friction of defiance and revolt, then maybe, just maybe, he could have ended up making more than a movie.
But a Shire unscoured, a Shire bereft of heroes, a Shire denied even the stimulation of evil perpetrated on a grand scale, must fade into a “negative, wet, whiny, inward-looking” Shire. A pitiful and quiescent Shire, afraid of its own shadow, may indeed stand accused of having lost the thread of Tolkien’s plot. And, only a leader unafraid to sound the horn-call of Buckland can hope to get back the mojo of a Shire so cruelly diminished.
Awake! Awake! Fear, Fire, Foes! Awake!
Fire, Foes! Awake!
This essay was originally published in The Otago Daily Times and The Greymouth Star of Friday, 23 June 2023.
