Orthodoxy and Dissidence at Radio New Zealand.

Our Masters’ Voice: Promoting acceptable ideas and suppressing everything that challenges the prevailing orthodoxy may be the winning formula in Putin’s Russia, but it should not be Radio New Zealand’s.

RADIO NEW ZEALAND has appointed a panel of media experts to diagnose the severity of its present crisis. Willy Akel, Linda Clark and Alan Sunderland have been asked to determine exactly how it was that Michael Hall, working in RNZ’s digital department, was able to insert unauthorised material into Reuters wire stories for five years without being either detected or reproved by his superiors.

This seems unlikely to prove a particularly taxing assignment. Hall has confessed, and, as far as we know, he had no confederates. He was trusted by his employers to play by RNZ’s (and Reuters!) rules, and appears to have betrayed that trust. Either that, or he has for five years been interpreting RNZ’s rules in the most creative fashion. The panel must explain why RNZ failed to monitor Hall’s output. It also needs to discover how a man of Hall’s powerful political convictions could enter the RNZ workforce without raising at least one managerial eyebrow?

Conservative New Zealanders will snort derisively at these questions. To their way of thinking the answers are blindingly obvious. RNZ – a.k.a. “Red Radio” – has been hiring people with “powerful political convictions”, that is to say, with blatant left-wing biases, for decades. The wonder is not that Hall “politically corrected” Reuters wire stories, but that he appears to have been the only RNZ journalist with the political gumption to do so!

Except, those same conservatives – as is so often the case – simply do not grasp how dramatically the “Left” has changed, or, to what extent the current “culture” of RNZ has changed with it. At the heart of RNZ’s transformation are generational, professional, and philosophical divergences sharp enough to have turned the Radio New Zealand of 15 years ago inside out.

What turned Radio New Zealand into RNZ? The short answer is “Generation X”. It was ten years ago this year that the Board of Radio New Zealand, led by Jim Bolger’s former press secretary, Richard Griffin, appointed Fairfax Executive Editor, Paul Thompson to replace Peter Cavanagh. A champion of public service broadcasting, Cavanagh had fought a noble rear-guard action against the John Key-led National Government’s relentless financial strangulation of Radio New Zealand.

Thompson moved swiftly against the Baby Boomer managers of Radio New Zealand. He restructured them out, and brought a younger, leaner and meaner generation of broadcasters in. These new brooms had a very different take on the profession of journalism when compared to the broadcasters they were replacing. Not so much speakers of truth to power as strivers who revelled in their proximity to it, the Gen-Xers were not the least bit embarrassed or hesitant about wielding power to advance their own agendas. Where their predecessors had set out in search of “The Truth”, these new broadcasters went after scalps – the more illustrious the better.

It made for a very different kind of public broadcaster. The Baby Boomers had tested themselves against a powerful status quo, harassing its leaders and challenging its values. Institutional power was a beast to be mistrusted and confronted. No rumour involving the government should ever be believed until it has been officially denied. And while it may not be possible for journalism to beat the powers-that-be, no self-respecting journalist would ever dream of joining them. Baby Boom journalists leaned towards the maverick outsider kicking against the pricks. Generation X admired those who had learned how to pick the locks to the House of Power.

This divergence wasn’t just generational and professional, it was philosophical.

The Baby Boomers had hero-worshipped Bob Woodward and Carl Bernstein, the two Washington Post journalists most closely identified with exposing the Watergate scandal and bringing down the malignant administration of Richard Nixon. “Woodstein” led many Boomers to the conclusion that not only could the world be changed for the better by virtuous action, but also that journalism – especially investigative journalism – was one of the most effective means of doing so.

Generation X grew up under the influence of a very different duo – Margaret Thatcher and Ronald Reagan. “Virtuous action” was a mug’s game. More often than not, those who spoke truth to power ended up having their tongues cut out. Play it safe, play it smart, play to win. What else were the Eighties about?

The status quo has little to fear from cynicism, which meant that, with one or two honourable exceptions (like the editor of The Daily Blog) the status quo which emerged from the economic and social liberalism of the 1980s and 90s had little to fear from Generation X. After all, the triumphant neoliberal order and the global economy it brought into being was Gen-X’s world, and in it the sunny optimism of the 1960s and 70s was as outré as tie-dyed T-shirts and flared jeans.

The journalism of Generation X followed the neoliberal flag – as evidenced by the fourth estate’s general capitulation to the extraordinary deceptions of the War on Terror. Newspapers that had risked Nixon’s wrath by exposing Watergate, eagerly repeated the Bush Administration’s lies about Saddam Hussein’s “weapons of mass destruction”. The American motion picture industry, which had given the world Easy Rider and Billy Jack, served up the television series “24” – a cold-blooded primer on the mechanics of torture.

Meanwhile, back here in Godzone, as one-by-one the rearguard actions of Boomer journalists and editors like Cavanagh ended in defeat, the principle of going along to get along became ever more deeply entrenched. Careers were not enhanced by challenging the fundamentals of the neoliberal status quo, nor by questioning the social-liberal values that offered the economic brutalities of neoliberalism such excellent political cover. Paul Thompson’s RNZ led the way. The people’s broadcaster became both the purveyor and defender of neoliberal and social-liberal orthodoxy – as swift to denounce Posie Parker as Vladimir Putin. Contracting-out economic commentary to the Aussie banks’ in-house economists, and political commentary to PR firms. It’s journalists appeared to be more comfortable attacking Hate Speech than defending Free Speech.

At least, they were, until Michael Hall tossed an old-fashioned left-wing spanner into RNZ’s works. The special, three-person panel appointed by RNZ’s board-of-directors will have little difficulty removing that spanner. Their most daunting responsibility, and a task not specified in the panel’s terms of reference, will be to acknowledge how dramatically Hall’s behaviour has exposed the poverty of RNZ’s journalism. Promoting acceptable ideas, and suppressing everything that challenges the prevailing orthodoxy, may be the winning formula in Putin’s Russia, but it should not be Radio New Zealand’s.

Think about it. If a journalist in Russian state radio had done what Michael Hall’s been doing for the last 5 years, RNZ would have hailed him as a hero. Which is why Willy Akel, Linda Clark, and Alan Sunderland should think long and hard before presenting our public broadcaster’s very own journalistic dissident as a villain.

This essay was originally posted on The Daily Blog of Friday, 16 June 2023.

The Strange Case of RNZ Concert.

What Were They Thinking? RNZ's CEO Paul Thompson (left) and Jim Mather, Chairman of the RNZ Board of Governors, attempt to justify the debacle arising out of their attempt to downgrade RNZ Concert to the Economic Development, Science and Innovation Select Committee at Parliament on Thursday, 13 February 2020.

WHAT IS RNZ trying to do? Across New Zealand, this is the question mystifying both its listeners and non-listeners. The follow-up question is no less perplexing: Why is it doing it now?

It is tempting to answer to both questions by observing that RNZ is doing its very best to annoy the Government.

First off, RNZ’s CEO, Paul Thompson, and its Board of Governors have launched a full scale assault on RNZ Concert, a radio station beloved by its 176,000 listeners. (That audience, by the way, represents 4 percent of New Zealanders over the age of 10 years – a metric most commercial radio stations would kill for!) No matter, Concert’s highly experienced staff are to be made redundant and the station transformed into a purveyor of pre-programmed elevator music.

To say that RNZ Concert’s listeners are outraged is to understate the case by several orders of magnitude. Alienating so many people so needlessly would be a bad idea regardless of who those people were. But, to do so when they include so many of “the Good and the Great” – people with the ear of the Prime Minister – moves this imbroglio way beyond the scope of a bad idea. Not to put too fine a point upon it, this is the sort of idea that gets people sacked!

Which brings us to the second question: Why is RNZ doing this now? Why announce a fundamental restructuring of the state’s radio network a mere 48 hours before the Minister of Broadcasting was set to announce an official feasibility study into the merger of RNZ and TVNZ? If ever there was a time to politely suggest to your CEO that it might be prudent to taihoa – at least until the future lie of the land becomes clearer – then this was it!

Is Paul Thompson really such a thrill-seeker as to set these changes in motion on his own initiative? Frankly, that seems unlikely. His plans for RNZ Concert, along with those for appropriating its FM frequency for a new radio station aimed at 18-35 year-olds, were almost certainly approved by RNZ’s Board of Governors before being conveyed to RNZ Concert’s stunned staff and an appalled New Zealand public.

But, if that’s true, then we are led to the highly disturbing conclusion that RNZ’s Board of Governors knowingly set itself on a collision course with Jacinda Ardern’s government. That, heedless of her Labour Party’s rock-solid commitment to RNZ Concert, the Board was willing to gut it in broad daylight, and embark upon a highly risky (and, presumably, highly expensive) quest for a whole new demographic of listeners.

What sort of board rolls those sort of dice?

The answer appears to be, a board stacked with a combination of determined bi-culturalists and risk-taking entrepreneurs. A board possessing only two individuals who could reliably be characterised as broadcasters. A board collectively inclined to make RNZ’s listenership less white, less old, and less middle-class. A board which, looking at itself, came to the not unreasonable conclusion that a browner, younger, poorer RNZ audience was precisely the objective which this government had appointed it to achieve.

If so, then the events of the past 10 days constitute a wonderful example of: “Be careful what you wish for, because you just might get it!”

Except, to be fair to the Government, it’s unlikely that they intended their carefully selected board to build a new RNZ audience on the ruins of the old one! As Jacinda Ardern has made very clear over the past week, what she and her Broadcasting Minister, Kris Faafoi, are expecting is a solution based on “both/and” – not “either/or”.

It is also fair to speculate that this government was not anticipating any radical changes to RNZ’s organisational structure, or audience profile, before the shape and scope of the proposed new state broadcasting entity had been determined.

Perhaps, in the end, that’s what the RNZ Board and its CEO were doing. Perhaps they were seizing what could very easily be their final opportunity to reshape and repurpose RNZ before it is swallowed up by something much bigger and uglier in the public broadcasting space.

If that is the explanation, then the RNZ Board should resign. Living institutions, especially those dedicated to the public good, like RNZ, should be encouraged to grow and develop – not hacked to pieces.

This essay was originally published in The Otago Daily Times and The Greymouth Star of Friday, 14 February 2020.

 POST-SCRIPT: Well, common-sense (or should that be the wrath of a government caught off-guard?) has prevailed, and a “both/and” solution accepted as the best outcome for the RNZ Concert debacle. The questions raised in this essay, however, remain unanswered. It is also important to note that the CEO, Paul Thompson, hasn’t entirely backed away from his plans for RNZ Concert. Neither has the RNZ Board of Governors backed away from their CEO. They have bowed to the force majeure of public opinion and their shareholder ministers – that is all. The bitch that bore this awful idea is still in heat. – C.T.

Both RNZ Concert and Youth Radio – Not Either/Or.

Under Attack: By sacking not only RNZ Concert’s presenters, but also its producers and librarians, and reducing the station to an automated purveyor of classical music in-between parliamentary broadcasts, RNZ’s CEO, Paul Thompson, wasn’t simply announcing an operational shake-up, he was declaring war on one of the most important guardians of New Zealand’s cultural traditions.

MARTYN BRADBURY believes in radio. He’s been an advocate of an FM frequency dedicated to 18-35-year-old New Zealanders since at least the 1990s. That he should welcome RNZ’s announcement that a new, state-funded, youth radio station has been green-lighted is only to be expected. Equally to be anticipated, however, is the outcry from listeners and supporters of RNZ Concert. What else did RNZ’s Paul Thompson expect when he rejected the ‘both/and’ approach in favour of ‘either/or’?

By sacking not only RNZ Concert’s presenters, but also its producers and librarians, and reducing the station to an automated purveyor of classical music in-between parliamentary broadcasts, RNZ’s CEO, Paul Thompson, wasn’t simply announcing an operational shake-up, he was declaring war on one of the most important guardians of New Zealand’s cultural traditions.

There can be no doubt that he knew what he was doing. The ice-cold way in which he and his co-conspirator, RNZ’s Music Content Director, Willy Macalister, are said to have delivered the news to the stunned staff of RNZ Concert, strongly suggests that they were all-too-aware of the serious consequences of their decision. That they would come under instantaneous and heavy fire from the artistic community and its political defenders must have been anticipated. Which suggests strongly that crossing swords with the likes of Helen Clark, Chris Finlayson, Sir Michael Cullen, Dame Kiri Te Kanawa and Sam Neil had already been accepted as the necessary cost of doing business.

But, accepted by whom? The RNZ Board? The Minister of Broadcasting, Kris Faafoi? The Minister of Arts & Heritage – and Prime Minister – Jacinda Ardern? Were all of these people really on-board with Thompson’s and Macalister’s decision? Had they all been fully informed of RNZ’s senior managers’ intention to gut RNZ Concert? Were they all as keyed-up as the leading protagonists for the inevitable backlash? Were all of them truly willing accessories-before-the-fact to what Sir Michael Cullen described as  “cultural vandalism”?

It would seem not.

On this morning’s edition of RNZ’s Morning Report, the Prime Minister coolly set forth her understanding of what had taken place. It seems that her Broadcasting Minister, upon being informed of Thompson and Macalister’s plans, reacted unenthusiastically. All-too-aware of the likely consequences of establishing a youth-oriented station at RNZ Concert’s expense, he cautioned RNZ’s CEO against proceeding too hastily. He asked Thompson for time to come up with a ‘both/and’ solution – specifically, by sorting out an additional FM frequency. In her interview with Morning Report co-host Corin Dann (which Dann appeared to be doing his best to frame in terms of intergenerational warfare and cultural elitism) the Prime Minister made it icily clear that Thompson, by opting not to delay his announcement, had undermined Faafoi’s efforts to come up with an acceptable compromise.

Thompson must, surely, understand that, by setting forth the sequence of events in the way she did, the Prime Minister was telling him that he was now on his own. The Government had offered to help him craft a solution and he had denied them the time needed to make it happen. Is that really where Thompson intended to place himself? At odds with RNZ Concert’s listeners? At odds with the New Zealand artistic community? At odds with present and former Ministers of Arts & Heritage? (Jacinda made it very clear to RNZ’s listeners this morning that she, too, is looking for a ‘both/and’ resolution to this problem.) Does he really think that his position is strengthened by causing a former prime minister to get in the ear of a present prime minister? Did he not hear the implicit threat in Finance Minister Grant Robertson’s comment that he and his Cabinet colleagues would be investigating the matter further? Was he simply not aware that the Labour Party 2017 manifesto includes a rock-solid commitment to the preservation of RNZ Concert?

It certainly makes you wonder, doesn’t it? Why RNZ’s CEO would choose this precise moment to unleash such a shitstorm upon his own head? After all, the RNZ Concert announcement was made just 48 hours before the Broadcasting Minister formally announced his plans for a possible merger of RNZ and TVNZ into a single state-owned broadcasting entity. Pending the outcome of the necessarily lengthy feasibility study Faafoi has ordered, it would surely have made more sense to hold off on a decision as sensitive and consequential as gutting RNZ Concert?

Was Thompson fearful that in any future merger his position would disappear? (A virtual certainty now!) Was he hoping the proposed 18-35 youth station would serve as a lasting personal legacy, and the destruction of the Baby Boomer elite’s RNZ Concert (a feat which others have attempted, and failed, to accomplish) his greatest managerial triumph? It is to be hoped not.

Because how much more impressive it would have been for Thompson and Macalister to have set in motion a steady process of renovation and reconstruction in RNZ Concert, while simultaneously investigating the best way to attract a new and younger listenership to RNZ. The promoters of New Zealand popular music have been struggling for the best part of 30 years to expand the state broadcaster’s cultural horizons and thereby fulfil more generously the aims and objectives of its charter. Preserving both the invaluable contribution of RNZ Concert to New Zealand’s classical musical traditions, and developing a new and vibrant platform for this country’s young cultural producers: now that would have been a legacy worth having.

Indeed, the way the politics of this debacle are unfolding, something like the above will be its ultimate legacy. It just won’t be Paul Thompson’s or Willy Macalister’s legacy.

This essay was originally posted on The Daily Blog of Tuesday, 11 February 2020.