Showing posts with label Seventies Nostalgia. Show all posts
Showing posts with label Seventies Nostalgia. Show all posts

Friday, 2 September 2022

The Man In The Black Hat.

Hatless On The Steps Of Parliament: Brian Tamaki is proof that not all Maori fall on the radical, left-wing, progressive side of politics. Just as many are to be found on the Right. That is as true today as it was eighteen years ago when Tamaki led his first march on Parliament.


AUTHOR’S NOTE: I came across this column quite by accident while searching for information on another matter altogether. It was written about a certain evangelical gentleman of sinister mien, whose antics are still discombobulating liberals an astonishing eighteen years after these words were written. I didn’t know whether to laugh, or cry, at how very little has changed since late-August 2004.


MY OLD MATE PETE left high school before I did and got himself a job at the General Motors warehouse in Upper Hutt. This was thirty-odd years ago, when New Zealand had a real labour shortage, and well-paid labouring jobs were everywhere.

Pete would regale me with all kinds of stories about the people who worked alongside him in the sprawling GM complex, but there’s only one that has withstood the vicissitudes of thirty years. The sight of the Destiny Church marching through Wellington streets brought it all back: the story of Pete’s workmate - Lance.

Lance was a big Māori guy who claimed to be a Vietnam vet. Pete was never quite sure if Lance was telling him the truth, but he liked listening to his war stories anyway. The other thing Lance liked to talk about – apart from Vietnam and the army – was politics. Not “normal” politics – he had no time for National or Labour or even Social Credit. No, Lance was into a weird, far-right mixture of politics and religion. The book he swore by was Hal Lindsey’s The Late Great Planet Earth.

An incipient lefty, like me, Pete was spellbound by Lance’s radical right-wing riffs. One in particular made a lasting impression. “When we come to power,” Pete remembered Lance declaring, “we’re going to liberate the police, and police the liberals.”

People talk about “Māori radicals”, tino rangatiratanga and the Treaty of Waitangi, and it sets off all kinds of political depth charges in New Zealand’s collective memory. We think of Syd Jackson and Nga Tamatoa, of Hana Te Hemara’s “kill a Pakeha and die a hero” speech, and of the tense stand-offs between Police and protesters at Waitangi throughout the early eighties. We remember, too, that since the 1930s Māori have voted for the Labour Party. Mention Māori politics, and most people think left-wing.

But it ain’t necessarily so. Māori, like so many of the Polynesian peoples whose traditional religions were more or less destroyed through their contact with Christian missionaries in the 19th Century, adopted the conservative moral strictures of the new religion with extraordinary fervour. Christian sexual morality, in particular, fastened heavy chains of guilt around what had been the carefree and sexually polymorphous Polynesian spirit. To this day, the Samoan, Tongan and Fijian churches preside over some of the most sexually intolerant societies on Earth. And the recent comments of New Zealand’s Anglican Archbishop on the subject of homosexuality, suggest that Māori Christians are no less intolerant than their Pacific Island co-religionists.

More worrying still are the affinities many Māori leaders have indicated for the rigidly hierarchical and undemocratic social structures of their Pacific Island neighbours. Chiefly power is entrenched in both the Fijian and the Tongan constitutions – to the ultimate disadvantage of Tongan “commoners” and Fijian Indians. The Fijian Methodist Church openly endorses and supports the political claims of this indigenous Fijian aristocracy, and, to its eternal disgrace, failed to condemn either of the Fiji coups.

Add this strong affinity for aristocratic political organisation to a deeply conservative Māori Christianity, and then mix in the powerful historical legacy of a social system in which warriors wielded enormous cultural power, and the resulting socio-political profile is anything but “progressive”. Indeed, conservative Christian Māoridom is a place where men like Lance – not to mention Brian Tamaki – can strut their stuff with far more self-assurance than any Māori radical.

So, when I saw the footage of thousands of Destiny Church members marching down Lambton Quay on Monday afternoon, I couldn’t help recalling Lance’s promise to “police the liberals”, nor the strange millenarian fantasies drawn from his Late Great Planet Earth. I wondered if he was there, somewhere in the midst of it all, and whether this tightly disciplined movement, with its supremely confident and charismatic leader, represented everything he – and thousands of conservative working-class Māori like him - had been waiting for since 1973.

Some people – dear, brave Georgina Beyer among them – heard in Monday’s noisy display of fierce racial pride, aggressive political intolerance and fanatical religious belief, frightening echoes of Nuremberg.

But what Brian Tamaki reminded me of was a poem - written by Sam Hunt, and published about the same time that my old mate Pete and I were kicking round the Upper Hutt car plants.

It’s called Beware The Man, and three decades on, I can still recall some of the lines:

Beware the man who tries to fit you out
In his idea of a hat
Dictating the size and colour of it …
… Beware! He’s fitting you
for more than that.



This essay was originally published in The Dominion Post of Friday, 27 August 2004.

Friday, 1 July 2022

Look For The Light.

Metropolis  George Grosz  1918

A FEW HOURS AGO, I was sorting through a box of old papers when I came across these lyrics to a song I’d composed nearly fifty years ago, at the tender age of seventeen! I have decided to share it with the readers of Bowalley Road as proof that no matter what historical era one is born into, there is always, in the eyes of the young, considerable room for improvement.


Look For The Light.

Beneath the towering concrete thrones
The people creep and crawl,
You watch them through the oozing black
That’s seeping through your wall.
The darkness slithers like a snake
Between the halls of stone,
Your voice in echoes stabs the night:
“My God, am I alone!”

That’s when you look for the light,
Hope for the light,
Have faith in the light to come.


The stench of corpses chokes the air
And hangs the senses high,
While in their red-brick coffins
The split-level heroes lie.
You’re groping through an endless day
Towards an endless night,
While armies of well-oiled machines
March onward out of sight.

That’s when you look for the light,
Hope for the light,
Have faith in the light to come.


The bold blue warriors ignite
The fires they love to hate,
And crying “Law and Order!”,
Take another for the State.
The members of the Parliament
Are eating paper pies,
As sweat soaks through their collars,
They all doze as Justice dies.

That’s when you look for the light,
Hope for the light,
Have faith in the light to come.


You’re running faster every day
To catch the same old train,
With icy faces staring out
Of every window pane.
The streets are growing metal bars
To keep us in our place,
And every night the sirens wail,
Quickening the pace.

That’s when you look for the light,
Hope for the light,
Have faith in the light to come.



Chris Trotter 1973


This poem was originally posted on The Daily Blog of Friday, 1 July 2022.

Monday, 23 April 2012

Seventies Nostalgia: A Song From 1979


Heading For The Coast

Headlights on the highway,
Coming down off the freeway,
Night falls at the end of the day
And we were headed out of town.
In the factories hammers pounded,
And in the distance sirens sounded
Like the cries of someone hounded
In a palace - or a jail.

And we were
Heading for the Coast
Heading for the Coast
Heading for the Coast
Where the Sun goes down.

There was a full moon shining,
And a black dog whining.
He was chained up and pining
For the open fields of Night.
In the small hours of the morning,
When the owls cry out a warning,
We took shelter under the awning
Of a ruined hotel.

And we were
Heading for the Coast
Heading for the Coast
Heading for the Coast
Where the Sun goes down.

Sunlight in a small town,
Waiting for the West-bound,
Catching looks from all the house-bound
And laughter from the children heading off to school.
With our eyes on the dividers,
The mountains waiting for the riders,
Of the big rigs - the providers
Climbing slowly up the Pass.

And we were
Heading for the Coast
Heading for the Coast
Heading for the Coast
Where the Sun goes down.

Well, the Sun went down before us,
And the lights went out behind us,
And the Old World couldn't find us
With the mountains in between.
Then the Sun dropped to the ocean,
Down below we felt the motion
Deep underground - we got a notion
We'd be seeing him again.

And He'd be
Heading for the Coast
Heading for the Coast
Heading for the Coast
When the Sun goes down.

Chris Trotter
1979