Showing posts with label The Dark Arts of Politics. Show all posts
Showing posts with label The Dark Arts of Politics. Show all posts

Saturday, 21 June 2014

Progressive Politics Is Not A Game: Chris Trotter Responds To Rob Salmond

The Prize: The Labour Party of Savage, Fraser and Nash, Nordmeyer, Kirk and Rowling did not need to master the dark arts of smearing their opponents. They did battle with the National Party on the sunlit field of policy.

“ALL THE WORLD’S A STAGE” says Shakespeare in As You Like It, “and all the men and women merely players”. Life as a play: as the mischievous scribblings of some amoral dramaturgical deity; is a metaphor as old as the theatre itself.
 
Closely related, and just as old, is the metaphor of life as a game. Taken as a whole, or broken up into its most vivid elements, the human experience is reduced to something as artificial and essentially meaningless as the turn of a card, the muscular efficiency of a horse or the physics of a rolling pair of dice.
 
What lies behind both of these metaphors is the desperate need of those who make use of them to empty their personal conduct of all moral agency. Actors do not write the lines they are obliged to read, nor do they control the way their scenes unfold. The shape of the plot is somebody else’s responsibility – not theirs. It’s much the same for game players. They didn’t make the rules, but having opted to play the game they’re obliged to follow them. “Love ‘em or hate ‘em,” say the players, “the rules are the rules.” Or, in the words of a recent blog posting: “The game is the game.”
 
The “game” referred to in that posting is the “game” of politics and its author, Rob Salmond, is commenting on the skill (or lack of it) displayed by the National Party in its attempted smearing of David Cunliffe.
 
“National certainly knew about it well before anyone else, and were gloating about it on online forums over the past weekend. I’m betting National also had a hand in cajoling reporters to ask very particular questions of Cunliffe just hours before the incriminating OIA would be released.
 
“And, to be blunt, there’s nothing really wrong with that.”
 
And right there – in Salmond’s bland sentence – lies the source of all Labour’s woe.
 
Implicit in Salmond’s exoneration of National is the notion that politics is a game in which deception, entrapment and public humiliation are all well within the rules. A game for players without scruple or regret. Players to be judged not according to any moral code, but simply according to how adroitly they wield the officially sanctioned weapons of the game.
 
Salmond admits as much when he upbraids National for bungling the job:
 
“If you are going to orchestrate a smear against your opponent, but hope to fade into the background while the smear unfolds, it really pays to have your cover-up stories straight.”
 
He then goes on to gloat about how much better Labour is at smearing its opponents:
 
“Did you ever hear about Labour’s role in forcing [redacted] of the [redacted] party to resign back in [redacted]? No, I bet you didn’t.”
 
Presumably Salmond expects his readers to offer up a professional chuckle at this little gem. In much the same way that a Mafia hit-man would acknowledge a fellow assassin’s description of how he dispatched his latest victim. After all, when “the game is the game” there’s simply no room for the squeamish. Indeed, Salmond and his fellow professionals have a name for those who feel nauseated by such behaviour. They call them ‘losers’.
 
The real loser, of course, is the noble calling of progressive politics. The sort of politics that Labour’s Mickey Savage, eighty years ago, was quite unembarrassed to describe as “applied Christianity”. Unembarrassed, because Savage wasn’t a “professional” politician in any sense that Salmond might recognise. Born into poverty, largely self-educated, quietly spoken and diminutive of stature, Savage did not conceive of politics as a “game”. For him it was the only means by which ordinary, decent working people could secure the prerequisites of an abundant life for themselves and their children.
 
The Labour Party of Savage, Fraser and Nash, Nordmeyer, Kirk and Rowling did not need to master the dark arts of smearing their opponents. They did battle with the National Party on the sunlit field of policy. The only thing their conservative opponents were “forced” to do was to tell the voters why Labour’s policies of social uplift and collective progress could not possibly be implemented. The basements and back alleys of deception and entrapment remained the natural environment of blackmailers and pimps: the immoral milieu into which such criminal elements have always faded.
 
But that all changed in the 1980s when Labour’s caucus embraced the politics of “professional” neoliberal governance and abandoned the New Zealand working-class to its fate. It was then that the practice of progressive democratic politics ceased to be the open-ended process of collective emancipation that it had been from the 30s to the 70s. With both Labour and National now irreversibly committed to upholding the rules of neoliberalism, politics ceased to be about turning progressive and emancipatory ideas into reality, and became instead a contest designed to identify which team of politicians was most adept at playing the neoliberal game.
 
And what else but the skills of deception, entrapment and public humiliation would such politicians seek to master? When “the game is the game” what can politics be apart from an unceasing effort to beset and belittle the men and women of the opposing teams? An endless conspiracy to make your opponents look like losers.
 
This essay was originally posted on The Daily Blog of Friday, 20 June 2014.

Tuesday, 11 June 2013

The End Of Merlin: Or, Was Dunne Done-in?


No Fool Like An Old Fool: In the Arthurian legend of Merlin and Vivien, the old wizard's infatuation with Vivien, a young lady of the court, leads to his downfall. The story of Peter Dunne's fall from grace bears a very similar shape and feel.
 
THE SELF-DESTRUCTION of Peter Dunne has unfolded with the dream-like logic of our oldest and unhappiest myths. How could the master shape-shifter have got it so wrong? Made so many mistakes? Let down his guard so foolishly?
 
These are questions Mr Dunne himself found it difficult to answer. Indeed, at the press conference announcing his resignation from John Key’s ministry, the Member for Ohariu observed more than once that he could offer no “rational” explanation for his behaviour.
 
Throughout his encounter with the assembled media pack on Friday afternoon, Mr Dunne maintained an extraordinary dignity and clarity. It was almost as if he was discussing the behaviour of another man – one he barely recognised as himself. Again and again, he denied leaking the Kitteridge Report on the GCSB. It was at home, he said, in his study, in a locked briefcase. But, yes, he had discussed leaking the report with Fairfax Media’s parliamentary correspondent, Ms Andrea Vance.
 
He sounded like a man bewitched.
 
More than one journalist has hinted that Mr Dunne’s fall owes almost as much to Ms Vance as it does to the man himself. Between 30 March and 7 April, the politician and the journalist exchanged more than 64 e-mails. It was to preserve the confidentiality of these exchanges that the Minister was ultimately moved to tender his resignation.
 
These extraordinary events have the shape and feel of a very old and tragic tale. The bones of the story may be found in the mythology of every culture, but I first encountered it in the legends of King Arthur and the Round Table. There it is called the tale of Merlin and Vivien.
 
In the words of Alice M. Hadfield, whose 1953 version of the Arthurian legends I grew up with as a child: “Merlin the Wizard was a wise man nearly all his life, but when he was old he fell into foolishness.”
 
Unwisely, for a person so high in King Arthur’s esteem, he allowed himself to become bedazzled by Vivien, a young lady of the court. “He became quite crazed about her, followed her about everywhere, and told her any secret of his magic she wanted to know.”
 
Though initially “flattered and excited by his attention”, the young woman soon discovered that it was not “altogether comfortable to receive so much devotion from a wizard, and after a time Vivien became very tired of it.”
 
This was hardly surprising since Vivien had been raised under the guidance and protection of another magician. An ominous development because, as Ms Hadfield delicately puts it: “One wielder of magic seldom likes another, and Vivien had grown up to have no love for Merlin.”
 
Merlin’s end came when he invited Vivien to view the treasures hidden in a subterranean cave whose concealed entrance only he knew the whereabouts. Allowing the old wizard to lead her to the cavern, Vivien waited until he was well inside before sealing up the entrance with an incantation Merlin himself had taught her.
 
“Only the person who had said the word could say the other word which would undo it”, writes Hadfield. “Merlin is sealed up in the earth by his own folly and pride till all spirits meet before their Ruler.”
 
Such is the tale of Merlin and Vivien, which, I’m sure you now agree, bears a not unfamiliar shape and feel – even to us, who dwell at several centuries remove from the Middle Ages.
 
For there is much in politics that still carries the whiff of magic. How is it possible that those blessed with every conceivable political advantage fail so abysmally to spark the public’s interest? Why do the voters flock to politicians so bereft of wisdom or imagination? From whence do the words and phrases that inspire nations arise?
 
These matters are not described as “the dark art of politics” for no reason.
 
Few would dispute that, until very recently, Mr Dunne’s career bore all the hallmarks of a master political magician. To have shifted with such ease from Left to Right, and then, without disturbing a hair of his trademark coiffure, from Right to Left, and back again to Right, he must surely have mastered the elements of more than a few political incantations.
 
But he is not the only powerful magician at the court of King John. And, as Ms Hadfield has told us: “One wielder of magic seldom likes another”. It may have been Ms Vance’s own magic that persuaded Mr Dunne to contemplate (at the very least) sharing secret information with her newspaper, but we would be foolish to rule out the possibility that she was working with more than just one political wizard.
 
Speaking on TVNZ’s Q+A, Winston Peters observed: “There’s no fool like an old fool.”
 
Nor, it would seem, an old tale.
 
This posting is exclusive to the Bowalley Road blogsite.