The Past Intrudes Upon The Present: While they continue to ride forth, pausing in their wild career to salute with uplifted arms, and uplifted swords, the Crusaders cheering fans, deep racial memories, born of the bloody excesses of Pakeha New Zealanders’ ancestors, will stir and rise to the surface. The past has a dangerous way of intruding upon the present.
THE DEBATE over re-naming the Crusaders rugby team is being
framed as a case of inadvertent cultural insensitivity. According to the team’s
administrators, the name was chosen simply because it “represented Canterbury
rugby’s crusading spirit”. It was also a name which, way back in 1996, lent
itself to all kinds of effective merchandising. Certainly, no harm was ever
intended to the Christchurch Muslim community. Which is why, in the context of
the recent terrorist atrocity, the team management is casting about for a new
name, a new brand, and a new beginning.
So far, so plausible.
But, is it?
It was the Austrian psychoanalyst, Carl Jung, who came up
with the idea of the archetype: hugely powerful words and images embodying the
primitive urges and longings buried deep in what he called our collective
unconscious. Others, less altruistic than Jung, interpreted them as mythic figures
emanating from the indestructible recollections of the volk – racial memories.
It is difficult to argue that the crusader knight is not an
extremely potent archetype. A racial memory that is very far from being
forgotten. Even today, eight centuries after the last crusader kingdom was
over-run by the armies of Islam, boys and young men (New Zealand rugby’s most
important target market) still thrill to the image of the mounted Christian
knight, Christ’s cross emblazoned on shield and surcoat, his flashing sword
upraised in defiance of the infidel defilers of Jerusalem – the holy city.
It is an archetype that has shifted shape many times. Sir
Thomas Malory’s Morte d’Arthur
incorporates and appropriates the crusading ethos – morphing it into the
chivalric ideals of the mythic King Arthur and his Knights of the Round Table.
What else is Malory’s Quest for the Holy Grail but a potent sub-plot of the
over-arching crusader narrative?
These stories are buried deep in our cultural DNA. “The
Crusaders” sounded good to rugby fans because it reminded them of something.
Something to do with riding forth against the enemy. Something about fighting
for ultimate values. Something about finding on the field of battle more than
mere personal glory. It was a name that conjured up something much bigger than
a game of footy. Small wonder the team’s management chose it.
They were certainly not the first to have done so. The
Romantics of the nineteenth century seized upon the chivalric ideal and its
crusading spirit. The Gothic Revival, Sir Walter Scott’s historical novels,
Alfred Lord Tennyson’s poetry: so utterly incongruous in the grim landscapes of
industrial Britain; so wonderfully congruent with the imperialist mission the
hugely productive forces of British capitalism made inevitable.
What else could the naked greed of Britain’s imperial quest
for new markets be cloaked in except the crusading spirit? What else were the
crusades but the first projection of European power beyond its borders since
the fall of the Western Roman Empire in the fifth century?
It was no accident that the French-speaking Franks referred
to the crusader states they had set up in what is now Israel, Lebanon and Syria,
as Outremer – Overseas. No accident, either, that as Britain extended her reach
“overseas”, the founders of colonies, like the Wakefield Settlement of
Christchurch, saw themselves as latter-day crusaders, carrying both the cross
and the sword to bring light and redemption to a fallen world.
It wasn’t just the British who instinctively reached for the
archetype of the crusading knight. The English-speaking peoples were not the
only ones who, contemplating conquest and the annihilation of ideological
infidels, drew forth this potent symbol from their racial memory.
The black and white crosses that adorned the wings of the
Luftwaffe, and the tanks of the Wehrmacht, were modern-day renderings of the
heraldic devices of the Teutonic Knights: the Germanic crusading order which,
long after the Crusader kingdoms of the Middle East had fallen, did battle with
the heathen peoples of Eastern Europe and Russia.
The propagandists of the Nazi Party knew exactly what they
were doing when they released a poster depicting Adolf Hitler, the man who was
determined to see Germany once again carve out “living space” in the East, as a
Teutonic Knight in shining armour carrying a cross into battle – albeit a
crooked cross.
Adolf Hitler as Teutonic Knight.
Were the franchise-holders thinking of Nazi propaganda when
they chose the name “Crusaders”? Of course not. But 1996 was not that far away in
time from 1991, when the armies of the West (supported by their reluctant Arab allies)
had gathered on the sands of Arabia, homeland of the Prophet, to drive Saddam
Hussein out of Kuwait. The word “crusader” was in many Muslim mouths at the
time of the First Gulf War: most particularly, in the mouth of a Saudi
billionaire’s son: Osama Bin Laden.
US Marines on an Operation Desert Storm training exercise in the Saudi Desert 1991.
No discussion of the Crusades could end without at least a
passing reference to the religious military order whose name still echoes in
the West more than six hundred years after its last Grand Master died at the
stake. (Heaping curses, it is said, on the French king who sent him there.)
“God wills it!” was the battle-cry of the Knights Templar,
and to these fanatical soldiers of Christ the Muslim war-leader, Saladin,
offered no quarter. It is the Knights Templar that the “crusaders” who ride out
at the commencement of the Canterbury franchise’s home fixtures most resemble.
(The so-called “Black Knight” who rides out alongside the “Red Knights” is clad
in the livery of the Templars’ brother order, the Knights Hospitaller.)
Knights Templar and Hospitaller
Quite what those members of the Christchurch Muslim
community who hail from the lands assailed by crusader armies in the eleventh
and twelfth centuries make of these displays nobody, prior to the tragedy of 15
March 2019, has ever thought to inquire. Presumably the rugby authorities were
entirely ignorant of the fact that the awful deeds of those armies have not been
forgotten in the Arab world. Westerners are not the only people in possession of
a racial memory.
In the aftermath of the tragedy, however, thought must be
given to the crusader archetype. Especially since in figured with such sinister
force in the thinking of the Christchurch Shooter. Like his role model, Anders
Breivik, the shooter claimed to be acting on the orders of the Knights Templar.
Delusional? Only if you fail to grasp the power of archetypes.
While they continue to ride forth, pausing in their wild
career, to salute with uplifted arms, and uplifted swords, the Crusaders cheering
fans, deep racial memories, born of the bloody excesses of Pakeha New
Zealanders’ ancestors, will stir and rise to the surface. The past has a
dangerous way of intruding upon the present.
Best not to summon it forth … for a game of footy.
This essay was
originally posted on The Daily Blog
of Friday, 5 April 2019.

