Resurgam! (I Shall Rise Again!): The Phoenix should become the emblem of Christchurch's rebirth.
THE LEGEND of the Phoenix bears retelling at this awful time. Consumed by fire, this mythical bird rises up, reborn, from the debris of its own demise. From Greece to China, Russia to India, the symbol of the immortal firebird has given hope and comfort to humanity for three millennia. It’s promise of resurrection and renewal speaks to us persuasively as we contemplate the tragic devastation of Christchurch.
The image of the Phoenix, rising triumphantly from the flames, should be the emblem of Christchurch’s reconstruction. Most of the logos and brands we encounter in our daily lives are little more than pleasing shapes, but this ancient symbol is rich with meaning.
It reminds us that many of the world’s great cities have fallen victim to disasters of one kind or another. Rome and Constantinople were sacked. London burned. Berlin was reduced to rubble by bombs and shells.
But these cities did not die. Like the Phoenix they were reborn. From the ruins of Rome rose St Peter’s Basilica: from Constantinople, the beautiful Blue Mosque. Without London’s Great Fire, Sir Christopher Wren could not have given us St Paul’s Cathedral. Without the bombs and shells, there’d be no magnificently reconstructed Reichstag at the heart of Berlin.
For more than a century, the City of Christchurch has been represented by its magnificent cathedral. That the damage inflicted by this latest, deadly, earthquake may prove to be irreparable, and that the whole building may have to be demolished, is truly heartbreaking. And, of course, the Cathedral is but one among scores of historic structures reduced to rubble by the earth’s murderous fury.
There will be calls for the exact replication of these familiar and beloved landmarks. They should be resisted. This is not a moment for clinging to the past, but for embracing the future. Our vision should be of a new, 21st Century Christchurch, with buildings to catch our breath and dazzle our eyes. Let the word go forth to the world’s finest architects; to its most imaginative and radical urban planners: "Come to Christchurch, clear away the debris – astonish us!"
Because we need to be astonished. We need to be amazed. We need to rediscover the pride that comes from building on a grand scale.
Professor James Belich, in his history of the "Anglo World", Replenishing the Earth, pays particular attention to the extraordinary speed of urban development in 19th Century North America and Australasia. "From zero permanent inhabitants in 1835, Marvellous Melbourne grew to 471,000 in 1891." Founded thirteen years later, in 1848, Christchurch expanded at a similar breakneck speed.
That same impatient energy is needed now, not only from the people of Christchurch, but from all New Zealanders. We need to ask ourselves how men and women living in the steam age were able to conjure a graceful and splendidly organised city out of the Canterbury Plains in just eight years. What became of the can-do collective spirit of our great-great-grandparents? How did we lose it? And, most importantly – how do we get it back?
This is no time to engage in petty politicking, but hasn’t the ideological conditioning of the past quarter-century rendered the whole notion of collective energy and collective competence vaguely ridiculous? Haven’t we been encouraged to simply take care of ourselves, and let the "invisible hand" of the market take care of everything else?
But, were they invisible hands that reached into the rubble to rescue the living and reclaim the dead? Or were they the hands of living, flesh-and-blood Cantabrians? Did invisible hands build Christchurch’s iconic Cathedral? Will invisible hands erect its replacement?
This is why the spirit of the Phoenix is so crucial. Because the story of the firebird is the story of humanity itself: of human-beings’ unique ability to conceive of, and plan for, the future. Yes, we are mortal, but it is our very mortality that makes the hopes and dreams we pass on to our children so important. Because as we dream, so shall we build.
The Christchurch that eventually rises from the ruins of Tuesday’s devastating earthquake will be no better – and no worse – than the material we human firebirds bring to the process of its resurrection. For the sake of the city: for the sake of our country; let’s make sure it’s as enduring as it is astonishing.
This essay was originally published in The Timaru Herald, The Taranaki Daily News, The Otago Daily Times and The Greymouth Star of Friday, 25 February 2011.
THE LEGEND of the Phoenix bears retelling at this awful time. Consumed by fire, this mythical bird rises up, reborn, from the debris of its own demise. From Greece to China, Russia to India, the symbol of the immortal firebird has given hope and comfort to humanity for three millennia. It’s promise of resurrection and renewal speaks to us persuasively as we contemplate the tragic devastation of Christchurch.
The image of the Phoenix, rising triumphantly from the flames, should be the emblem of Christchurch’s reconstruction. Most of the logos and brands we encounter in our daily lives are little more than pleasing shapes, but this ancient symbol is rich with meaning.
It reminds us that many of the world’s great cities have fallen victim to disasters of one kind or another. Rome and Constantinople were sacked. London burned. Berlin was reduced to rubble by bombs and shells.
But these cities did not die. Like the Phoenix they were reborn. From the ruins of Rome rose St Peter’s Basilica: from Constantinople, the beautiful Blue Mosque. Without London’s Great Fire, Sir Christopher Wren could not have given us St Paul’s Cathedral. Without the bombs and shells, there’d be no magnificently reconstructed Reichstag at the heart of Berlin.
For more than a century, the City of Christchurch has been represented by its magnificent cathedral. That the damage inflicted by this latest, deadly, earthquake may prove to be irreparable, and that the whole building may have to be demolished, is truly heartbreaking. And, of course, the Cathedral is but one among scores of historic structures reduced to rubble by the earth’s murderous fury.
There will be calls for the exact replication of these familiar and beloved landmarks. They should be resisted. This is not a moment for clinging to the past, but for embracing the future. Our vision should be of a new, 21st Century Christchurch, with buildings to catch our breath and dazzle our eyes. Let the word go forth to the world’s finest architects; to its most imaginative and radical urban planners: "Come to Christchurch, clear away the debris – astonish us!"
Because we need to be astonished. We need to be amazed. We need to rediscover the pride that comes from building on a grand scale.
Professor James Belich, in his history of the "Anglo World", Replenishing the Earth, pays particular attention to the extraordinary speed of urban development in 19th Century North America and Australasia. "From zero permanent inhabitants in 1835, Marvellous Melbourne grew to 471,000 in 1891." Founded thirteen years later, in 1848, Christchurch expanded at a similar breakneck speed.
That same impatient energy is needed now, not only from the people of Christchurch, but from all New Zealanders. We need to ask ourselves how men and women living in the steam age were able to conjure a graceful and splendidly organised city out of the Canterbury Plains in just eight years. What became of the can-do collective spirit of our great-great-grandparents? How did we lose it? And, most importantly – how do we get it back?
This is no time to engage in petty politicking, but hasn’t the ideological conditioning of the past quarter-century rendered the whole notion of collective energy and collective competence vaguely ridiculous? Haven’t we been encouraged to simply take care of ourselves, and let the "invisible hand" of the market take care of everything else?
But, were they invisible hands that reached into the rubble to rescue the living and reclaim the dead? Or were they the hands of living, flesh-and-blood Cantabrians? Did invisible hands build Christchurch’s iconic Cathedral? Will invisible hands erect its replacement?
This is why the spirit of the Phoenix is so crucial. Because the story of the firebird is the story of humanity itself: of human-beings’ unique ability to conceive of, and plan for, the future. Yes, we are mortal, but it is our very mortality that makes the hopes and dreams we pass on to our children so important. Because as we dream, so shall we build.
The Christchurch that eventually rises from the ruins of Tuesday’s devastating earthquake will be no better – and no worse – than the material we human firebirds bring to the process of its resurrection. For the sake of the city: for the sake of our country; let’s make sure it’s as enduring as it is astonishing.
This essay was originally published in The Timaru Herald, The Taranaki Daily News, The Otago Daily Times and The Greymouth Star of Friday, 25 February 2011.